Exhibits + Installations
EXHIBITS + INSTALLATIONS
WINDOWS INTO HISTORY: EXPLORE HISTORIC ARDMORE
Ardmore, PA, May 2023 — ?
A collaboration between the Ardmore Initiative, the Lower Merion Historical Society, the Lower Merion Conservancy, and the Township of Lower Merion.
Throughout downtown, people can read about Ardmore’s 150-year history and view archival photos at (or near) their historic locations in the windows of storefronts in transition.
TIME NEVER FORGETS [NATURAL COLLECTION]
@ Millésimé, Olde City, Philadelphia October 2013
Multi-projector abstract video installation presented as part of the Natural Collection in conjunction with the 2013 DesignPhiladelphia Festival.
The show also featured the paintings of Cote d’Ivoire artist Ephrem Kouakou and rugs by Nanimarquina.
VORTEX + TOGETHER/APART
2010 Vortex, Chocolate Factory Theater, NYC, w/ Joel Mellin, Catherine Hedberg, Faurot + Paulson
2011 Together/Apart, Foreman Gallery, Hartwick College, NY, w/ Joel Mellin + Catherine Hedberg
Large format, stylized DocuTech photo portraits illuminated in synchronicity with a computer music composition performance by my brother, composer Joel Mellin.
A VIEW FROM A WINDOW From the OUTSIDE
@ National Mechanics, Philadelphia, PA, June 7, 2009
A collaboration with Joel Mellin, John Soares, Faurot + Paulson, & Jodi Melnick.
Presented with support of Waxfruit Arts Media, Kolourmeim Press, Musique Impossible, Stereorrific Recrdings, and UPS Store South Street.
CITY SQUARED: PHILADELPHIA ABSTRALOGRAPHS
Opened: First Friday, April 4, 2014 at Millésimé, Philadelphia, PA
ab•stral•o•graph (n. a portmanteau of abstract, photograph and nostalgia)
A collection of photographs taken in and around Philadelphia.
why/pop?
Boston CyberArts Festival, Kingston Gallery, Boston MA, May, 1999
A collaboration with Interrelated Arts Foundation/Mark Pierson, X-PREZ, Tony Cokes, Scott Pagiano, Michele Fourier, Garrett Caples, Yvonne McCarey, Brian Corbett, Miss Mary & the Oscillators.
Amidst a send-up of 60s pop art happenings and the commercialization of “revolution,” we handed out the lo-fi Miss Mary / Oscillators single “Superman” in the then new hi-tech MP3 format on multi-colored floppy disc.
“THE FESTIVAL WAS A CRITICAL AND POPULAR SUCCESS, DRAWING AN ESTIMATED 7,800 PEOPLE FROM ACROSS THE CITY AND REGION AND GARNERING NATIONAL ATTENTION.” — Boston Cyberarts Festival
“A two-week, state-wide extravaganza embracing dance, literature, music, theater, performance art, sculpture, video, web, new media and recorded and live video sampling. ” — The Boston Globe
ABOUT THE FESTIVAL: “The 1999 Boston Cyberarts Festival, held May 1-15, was one of the largest collaborative events in the history of the arts in Massachusetts, involving over 100 events organized by 60 cultural and education institutions, including museum and gallery exhibitions and programming at the Museum of Fine Arts, The List Center for the Arts, The Museum of Science, the Computer Museum of Boston, The DeCordova Museum and Sculpture Park, Danforth Museum, The Isabella Stewart Gardener Museum, the Boston Art Dealers Association and numerous commercial galleries. In addition visual arts programming was presented as part of the Festival at Harvard, MIT, Boston University, the School of the Museum of Fine Arts, the Massachusetts College of Art and four campuses of the University of Massachusetts. Some of the many artists who were included in the 1999 Festival were Harriet Casden-Silver, Ingo Gunther, Jennifer Hall, Kenneth A. Huff, J. Michael James, Carmin Karasic, Eve Andree Laramee, Denise Marika, Dennis Miller, Tony Oursler, John Powell, Micheal Rees, Karl Sims, and X-PRZ. Performers included Richard Boulanger, Eric Chasalow, Compagnie Marie Chouinard, Richard Cornell and Teresa Marrin.”* (*Source: Boston Cyberarts Festival 1999)
